The most classically
grand home I ever worked on was a hand-me-down—a project passed on to me by my
dear friend Eva, an elegant, well-seasoned designer with an impressive body of
work. Eva’s clients were upscale, from neighborhoods I had never heard of, so
when she suggested I call this family from “Fancyland” for an appointment my
first question was, “What should I wear?”
Eva assured me that I would be fine and although she found this
challenge baffling, she knew I would know just what to do. So I dressed up and
made the call.
It took an hour to get
to my appointment and a grilling by the border guard before I was parked in
front of this awesome estate. The architecture was neoclassic, symmetrical and
grand, complete with a pediment atop a row of Doric columns. I rang the bell
and “the husband” answered. Middle-aged, cheerful and chatty, he waved me into
the foyer, no, the rotunda, with dome!! The floor had a beautiful round marble
inlay design and the dome was a detailed leaded glass. A curving staircase
flanked the round and led to a bridge on the other side of the dome. Supporting the bridge
were two columns, which led to three steps descending into the living room. As
the husband carried on with the back story of the French settee, I stood there
wondering what my role was in this scenario. What could I bring to this iconic environment that this world traveler had not
already considered?
In that moment I was
led to the living room entrance. It was a huge, impressive space, maybe forty
feet wide, with a wall of French windows opposite the steps, which looked
outside to a court yard. It was old school formal. On one end was the
fireplace, on the other end a grand piano and three seating areas in the
middle. The lighting was recessed in a coffered ceiling, the upholstery was velvet,
silks and tapestries... then I saw it, my purpose had been revealed. In this
classically sublime space, every surface was littered with little stand-up
framed pictures of their four children! It was wrong, specifically in this
formal setting AND a pet peeve of mine…Eva knew that!
I realized it would not
be easy to suggest they banish their offspring from the living room. I knew I
would need some life threatening reason before Mr. Lucky and his wife, the
breeder, would surrender this showcase display of their proudest
accomplishments. Oddly, these people hire designers to ensure they have a well-appointed
interior, projecting a certain ambiance that reflects their privileged life. Yet,
when you find this sea of frames in the middle of this fantasy you are slapped
back into reality, like Christopher Reeve when he pulled the current penny from
his pocket in “Somewhere in Time.” Dream over!!
It took two meetings to
convince them to relocate this exhibit. I explained that a home this grand has
visitors, meetings, parties, holiday gatherings, etc. You don’t have such an
extraordinary abode and not show it off. Due to this truth, the living room
would be considered a “public” area. Really, no matter what size the living
room is, casual family photos are too intimate, particularly in such mass.
I also told them that
these photos cannot be viewed properly broken up across the landscape. If left there they
would need to station a Docent at the steps giving “Table Tours” to identify
the child and event. Ultimately we moved them to a gorgeous, sky-lit hallway
where Mama could guide tours down memory lane and tell the tale of their family.
She was thrilled.
Everything has changed
since “desk-top photo processing” has become the norm. Every little moment that
moves us is now captured digitally. No more, “Oh, look at that, I wish I had a
camera!” You do, and it’s in your pocket or purse—it’s called a phone!
It sets you up for a
successful shot: lighting, focus, find the face and BAM, you are Ansel Adams.
The other culprit is the readily available, affordable and adorable stand-up
frame. You simply can’t buy enough. Well, it’s enough already.
There are several
appropriate areas in the home for groupings of family photos: any bedroom, the family or great room, an office or den, but the best gallery location is the
HALLWAY. It’s a natural long walk, free of furniture and generally an area not
“decorated.” This is my favorite area and no matter how small, a grouping can
be hung!
This effort on your part will give your client warm fuzzies again and again. You have the power to do that… so why wouldn’t you?
Great idea, Joy! It's a win-win for everyone! I'm enjoying your blogs. So proud of you!!!
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